The Sound and the Fury by William Faulkner

49–50.W hen William Faulkner was asked by the Paris Review to share his thoughts on the art of fiction in 1956, he offered several useful pieces of advice to the aspiring author. Also, Mark Twain, The Adventures of Huckleberry Finn (Harmondsworth, Middlesex: Penguin, 1987 ) pp. Shlomith Rimmon-Kenan, ‘From Representation to Production: The Status of Narration in Faulkner’s Absalom, Absalom!’, Degrés, Vol. Seymour Chatman, Story and Discourse: Narrative Structure in Fiction and Film ( Ithaca and London: Cornell University Press, 1978 ) p. Shlomith Rimmon-Kenan, ‘The Paradoxical Status of Repetition’, Poetics Today Vol. Jehlen describes this relationship in Bergsonian terms. Myra Jehlen, Class and Character in Faulkner’s South (Secaucus, NJ: The Citadel Press, 1978 ) p. Henry James, The Portrait of a Lady (Harmondsworth, Middlesex: Penguin, 1976 ) pp. Wallace Martin, Recent Theories of Narrative ( Ithaca: Cornell University Press, 1986 ) p. 87.ĭavid Minter, William Faulkner: His Life and Work ( Baltimore and London: The Johns Hopkins University Press, 1980 ) p. He, though, wrongly dates Caddy’s wedding, April 24, 1910: see The Sound and the Fury p. Volpe, in A Reader’s Guide to William Faulkner (New York: Farrar, Strauss and Giroux, 1964) Appendix pp. Mr Compson’s funeral, for example, does not occur on April 26, 1912, as Stewart and Backus claim, p. Backus, ’ “Each in Its Ordered Place”: Structure and Narrative in “Benjy’s Section” of The Sound and the Fury’, American Literature 29 (1957–8) pp. Richard King, A Southern Renaissance: The Cultural Awakening of the American South, 1930–1955 (New York, Oxford: Oxford University Press, 1980 ) p. Blotner (eds), Faulkner in the University: Class Conferences at the University of Virginia, 1957–1958 (New York: Vintage Books, 1965 ) p. Page references to follow quotations from henceforth.Įric Sundquist, Faulkner: The House Divided (Baltimore and London: The Johns Hopkins University Press, 1983) pp. Jean Verrier, ‘Temporal Structuring in the Novel’, Renaissance and Modern Studies Vol. 145) with early modernist writing generally. Docherty, writing here about Proust, associates such ‘cyclical views of time and history’ (p. Thomas Docherty, Reading (Absent) Character: Towards a Theory of Characterization in Fiction (Oxford: Clarendon Press, 1983) p.

Page references to follow quotations from henceforth. Shlomith Rimmon-Kenan, Narrative Fiction: Contemporary Poetics (London: Methuen, 1983) p. Where appropriate, page references will be given after quotations in text from henceforth. 2, translated by Kathleen McLaughlin and David Pellaver (Chicago, London: University of Chicago Press, 1985 ) p. Page references will be given after quotations in text from henceforth.

William Faulkner, The Sound and the Fury (Harmondsworth, Middlesex: Penguin, 1987 ) pp.

The Sound and the Fury by William Faulkner